Friday, September 26, 2014
Favorite Photograph (Jostens)
The photo I liked the best out of the Jostens academic/community service section is a photograph titled 'Political Secrets". It shows a political-looking woman whispering into an old man's ear. Blurred behind them is an american flag. I liked this photo because the change between the man and the woman looks sneaky, as if she is telling him what his next move should be. The flag in the background adds to the political feel of the picture. Another reason I chose this photo is because it goes by the rule of thirds really well.
I think I could take photos like this one inside of the school, not in natural light. To capture an image that has a cold feeling to it, it is easiest to use artificial light. I would like to is it Mr. Logan's art room to take photos, but I won't be aiming for a photograph like the one I described, I will be taking a variety of types. All of the photos I looked at today were great, and I will be moving around and experimenting with my camera when we take photos in order to get a good shot like them.
I think I could take photos like this one inside of the school, not in natural light. To capture an image that has a cold feeling to it, it is easiest to use artificial light. I would like to is it Mr. Logan's art room to take photos, but I won't be aiming for a photograph like the one I described, I will be taking a variety of types. All of the photos I looked at today were great, and I will be moving around and experimenting with my camera when we take photos in order to get a good shot like them.
Filling the Frame
Action and Emotion
The Story
Wednesday, September 24, 2014
Photo Manipulation and Ethics
When taking photographs for a journal or newspaper, people want to see photos that show real life. The photographers named in the article failed to give those. They took photos that they considered imperfect, so they edited them in photoshop to make them look different. This is unethical for a photographer and I believe that they should have left the photos untouched, for life itself is imperfect and viewers deserve to see that in photography. You should not take a picture of something and then go back and alter it, and the author of that article believed so too.
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| Original, 1970 |
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| Un-altered image 1 |
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| Un-altered image 2 |
Post Shoot Reflection
1. During our first prompt shoot, I had a difficult time taking pictures of things people hadn't already. I took a photo of a fire hydrant, but then I noticed that practically everyone else had at least one photo of the same hydrant. It took some major brainpower, but eventually I took some creative shots.
2. In this shoot I found myself turning the camera and moving around a lot. When I was taking my photo for "metal", I squatted down and basically just scooted about until I got the right shot. Another example is when I decided to turn the camera upside down to get the shot I was going for. I also focused the camera a lot, but I always do that.
3. If I had the chance to take the photos again, I would definitely try and use the rule of thirds in a few of my shots. I have a habit of taking pictures with the focus in the middle.
4.
Reagan's Photoj Blog
I really liked Reagan's first prompt shoot photos. I especially like the one with the vines. I love the way they curve and twist, and Reagan captured that well. I also like her close-up of the yellow flowers, very nice! Even though her photos were great, she could have been used the rule of thirds a little more.
2. In this shoot I found myself turning the camera and moving around a lot. When I was taking my photo for "metal", I squatted down and basically just scooted about until I got the right shot. Another example is when I decided to turn the camera upside down to get the shot I was going for. I also focused the camera a lot, but I always do that.
3. If I had the chance to take the photos again, I would definitely try and use the rule of thirds in a few of my shots. I have a habit of taking pictures with the focus in the middle.
4.
Reagan's Photoj Blog
I really liked Reagan's first prompt shoot photos. I especially like the one with the vines. I love the way they curve and twist, and Reagan captured that well. I also like her close-up of the yellow flowers, very nice! Even though her photos were great, she could have been used the rule of thirds a little more.
Thursday, September 18, 2014
The First 6 Rules of Composition
Tuesday, September 16, 2014
Top 40 Photos
Warm Up
When I first looked at these photos, I felt that they looked familiar but I couldn't figure out what they were for a few seconds. I thought that this was a very good idea. The photos make you think and laugh about how silly but beautiful these people look. I'd love to do something like this sometime.
http://petapixel.com/2014/09/14/flipping-photographs-upside-turns-ordinary-portraits-strange-alien-faces/
Monday, September 15, 2014
The Camera
The Camera
1. The camera obscura effect is an optical effect discovered by Greek and Chinese philosophers, and it is achieved by creating a very small hole in the wall of a very dark room and shining a small light through it. when you do this, the outside scene is projected upside down on the wall inside the dark room.
2. When Isaac Newton and Christian Huygens began to understand optics and how to create high-quality lenses in the 17th century, we came one step closer to modern cameras.
2. When Isaac Newton and Christian Huygens began to understand optics and how to create high-quality lenses in the 17th century, we came one step closer to modern cameras.
3. The first modern camera, created by Niepce, had these parts: a glass lens, a dark box, and film.
4. Modern cameras are similar to Niepce's "modern" camera. They both have light that passes through the lens, into the camera, and exposes the film.
5. Digital cameras use an electronic sensor called CDD to capture images.
6. Auto mode controls flash and exposure, while Program lets you do that yourself. Program is basically just point and shoot but it lets you control more than on Auto mode.
7. Portrait mode is best to use if you want to take a photo of something and blur out the background, and the camera will try to use the fastest lens setting available. You use portrait mode simply by pressing on the button that has a face on it.
8. Sports mode is used when you want to freeze motion. The camera will use the highest lens speed possible.
9. You should half-press the trigger button because when you do that, the camera focuses by itself.
10. That symbol means that you are disabling flash. You would use this when you do not want/need flash.
11. That symbol is auto-flash. This is usually set by default on most camera modes. Your camera will use this when it thinks your photo needs more light.
12. If there is too much light in your photo it will become washed out.
13. If there is not enough light in your photo then it will be too dark.
14. A stop is a relative change in the brightness of light.
15.1 suns brighter
16. 3 suns brighter
17. A longer shutter speed lets more light in.
18. A shorter shutter speed means less light.
19. Aperture controls how much light is being let into the camera.
20. When adjusting the aperture, you can let more light in by making the f-stop number smaller.
7. Portrait mode is best to use if you want to take a photo of something and blur out the background, and the camera will try to use the fastest lens setting available. You use portrait mode simply by pressing on the button that has a face on it.
8. Sports mode is used when you want to freeze motion. The camera will use the highest lens speed possible.
9. You should half-press the trigger button because when you do that, the camera focuses by itself.
10. That symbol means that you are disabling flash. You would use this when you do not want/need flash.
11. That symbol is auto-flash. This is usually set by default on most camera modes. Your camera will use this when it thinks your photo needs more light.
12. If there is too much light in your photo it will become washed out.
13. If there is not enough light in your photo then it will be too dark.
14. A stop is a relative change in the brightness of light.
15.1 suns brighter
16. 3 suns brighter
17. A longer shutter speed lets more light in.
18. A shorter shutter speed means less light.
19. Aperture controls how much light is being let into the camera.
20. When adjusting the aperture, you can let more light in by making the f-stop number smaller.
Wednesday, September 10, 2014
Great Black and White Photographers (part 2 and 3)
Great Black and White Photographers (part 2)
Harry Callahan
Harry Morey Callahan was born on October 22, 1912 in Detroit, Michigan. As a kid he lived in a neighborhood called Royal Oaks, and he attended the local public schools up until college. After working at Chrysler as a young man, he attended Michigan State College and studied engineering, but dropped out after 3 semesters in 1933. He then went back to Chrysler and joined the camera club. That same year (1933), he met his future wife Eleanor Knapp on a blind date. They married 3 years later. It was 1944 when he really decided to take photography seriously. A talk given by Ansel Adams inspired him to do so. Harry loved to take pictures of streets, buildings, and his lovely wife Eleanor. She was his favorite subject. In 1950, their daughter Barbara was born. Throughout the years, he continued to take wonderful photos. In 1996, he was awarded the national medal of arts. He later died at age 85 at his home in Atlanta.
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Great Black and White Photographers (part 3)
While looking at Harry Callahan's photography, I was touched by his photos.
I loved that his wife Eleanor was his muse. When I saw them for the first time
I was attracted to the beautiful simplicity of them. Some of them I can't believe
weren't highly edited they are so unique. If you want to see a bit of what I am
talking about, three of Callahan's photographs are above. They are a few of
my favorite pieces by him.
Photograph 1, photographer's point of view-
I see my wife's beautiful face.
I smell her sweet perfume, a gentle scent.
I hear the birds chirping outside of our window.
I taste the coffee I drank before we started the shoot.
I feel the camera up against my face.
Photograph 2, photographers point of view-
I see Eleanor's pale features.
I smell the seawater below the bridge we stand on.
I hear the crash of waves against the shore.
I taste salt in my mouth.
I feel cold as an ocean breeze brushes past our bodies.
I smell the seawater below the bridge we stand on.
I hear the crash of waves against the shore.
I taste salt in my mouth.
I feel cold as an ocean breeze brushes past our bodies.
Photograph 3, photographers point of view-
I see the skeletons of trees that long to blossom
I smell a burning fire in the distance.
I hear the crinkling of dead leaves beneath my feet.
I taste hot cocoa.
I feel a shiver rush down my spine as I try to capture the perfect winter scene.
I hear the crinkling of dead leaves beneath my feet.
I taste hot cocoa.
I feel a shiver rush down my spine as I try to capture the perfect winter scene.
I would absolutely love making a book and putting Callahan's photographs in it
along with my favorite poems. In my opinion, poems are created to be paired
other kinds of art. Doing this, I believe people will see the photos, read the poems,
and gain an overall deeper understanding of the photographer's work.
Monday, September 8, 2014
First Photos- Best and Worst
Wednesday, September 3, 2014
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